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  • Felix Linéau

    Hey! this is such a nice guide! Thank you for writing this!

    • http://Arqen.com/ Tim Perry

      Felix, I’m glad you enjoyed it! Thanks for reading and please let me know if you have any questions :) .

  • Geoff Duncan

    brilliant site and resource – this is going to change my world haha. Thanks for sharing your knowledge and I will post some images and my experiences once we’ve had a chance to digest this and make some of these diffusers. Kind regards!

    • http://Arqen.com/ Tim Perry

      Hey Geoff,
      My pleasure. I’m glad you find this useful. Good luck with the build and I look forward to seeing your photos!

  • Dr B

    Tim, how does this design compare with simple plain curved surfaces such as curved plywood or plastic

    • http://Arqen.com/ Tim Perry

      Good question Dr. B.

      To understand the difference it’s helpful to understand what ideal diffusion is. Ideal diffusion means acoustic energy is spread out evenly in both space (called spatial dispersion) and time (called temporal dispersion).

      A simple curved half-cylinder is brilliant for redirecting sound energy by scattering it in space, but it does not directly disperse sound with respect to time. These stepped diffusers, on the other hand, disperse sound in both space and time directly.

      Both types of diffusers are great but I consider optimized stepped diffusers to be a more precise tool. If you need to return diffuse sound directly to the listener, stepped diffusers are probably the more appropriate choice. However, if you simply want to scatter sound in your room to create a more diffuse reverberant sound field, you can get away with simpler geometries such as polycylinders.

      Does this make sense?

      • Dr B

        Yes. Excellent explanation. Thank you

  • DjMetal Blackbeat

    Tim, i have a 3×3,5m mix room, and my backwall (3m) has 2,5m (or less) of distance to my sweet spot. Im thinking about to build a Profiled Mod1 5 A1-LF or A1 Frac (i cant find the a1-frac blueprint yet). I think it’s the better option, right?

    The module of a A1-LF has 0-4-5-3-4-5-0 depths, ok! But i cant understand exactaly the depths of the Profile Mod 1. Do you have images with detailed dimensions(prof mod 1 A1-LF)
    Thanks for this great site!!

    • http://Arqen.com/ Tim Perry

      Hey DjMetal,

      Let me try to explain it more clearly. To start, Profiled Modulation 1 uses 5 modules (diffuser panels). On page 7 of the fabrication drawings for A1LF (in the download vault) I give you the sequence of depths for mounting these 5 modules: [0 cm, 5 cm, 6 cm, 5 cm, 0 cm].

      This means you mount the center module (or 3rd module) so it sticks out 6 cm from the wall. You mount modules 2 and 4 so they stick out 5 cm from the wall. And you mount modules 1 and 5 so they sit directly on the wall.

      These pictures should give you an idea of how they look when mounted like that (click “See More”):

      A1-Frac is a better option if you want to diffuse high frequencies. If you are receiving my emails you should get an email in a couple weeks that tells you the basic steps for building it. The process is explored in more detail here: http://arqen.com/sound-diffusers/faq/#fractal-diffusers

      I have not produced detailed blueprints for A1-Frac, and there are two main reasons for that.

      First, the depth of the fractal cells is not set in stone. I want to encourage people to experiment with it right now instead of locking them into a single blueprint. People are more creative and bold that way. :-)

      Second, I’ve been notified that some scalawags are attempting to patent my open source diffuser designs under their own name, with the intention of gaining exclusive commercial rights to them (essentially, trying to steal the rights from me and the public).

      A1-Frac is my favorite design so I’m taking extra precautions to protect it right now from patent fraud. I hope you understand.

      I hope this answers your questions! Let me know if you still don’t understand the profiled modulation, or if you’re curious about anything else. :-)


      • DjMetal Blackbeat

        Great explanation!! Thanks Tim!

        • DjMetal Blackbeat

          Sorry Tim, but reading everything about the fractal cells, I keep dont understanding exactaly their dimensions (depths) to work with the milling machine, following the 10mm proportion.

  • Pablo Roldan

    Hello Tim

    I am interested on building the A1 Frac for my back Wall.I have read the thread DIY Sound Diffusers—Free Blueprints—Slim, Optimized DIY Diffuser Designs (+Fractals) but cant find info on how to hang the diffuser to a Wall or sloped roof.¿Where do u put the screws?

    For example, on your webpage there is a picture of a diffuser built by Pablo Crespo where he used the profiled modulation 1 for 5 modules.

    How are they mounted on the Wall? (specially the middles modules which are deeper), i need to put them in a slopped roof, so they need to be screwed.

    And thanks for the blueprints and all the info!

    • http://Arqen.com/ Tim Perry

      Hi Pablo,

      Good question! I’m not sure how Pablo did it, but one way to do it is build a frame like I’ve crudely shown below where
      · || represents a vertical brace
      · pppp represents a piece of wood, plywood or mdf cut to the shape of the profiled modulation.
      · You can ignore the “…..” horizontal parts in the drawing. That simply represents white space so just pretend those parts are invisible.

      The frame would need vertical braces at the wall surface, aligned with the wall studs. These braces would be used as anchor points to mount the frame to the wall (in the frame, these braces would also hold the bottom of the pppp cuts together).

      The frame would also need a separate set of vertical braces at the surface where you will mount the diffuser panels (these braces would be connected to the top of the pppp cuts).

      Here is a rough top view of the concept, where only the braces on the surface of the structure (top braces) are shown. As mentioned, there would be a separate set of braces at the base of the structure for attaching it to the wall studs.


      It may also be necessary to add some cross bracing for structural integrity.

      The pppp profiled modulation pieces would define the shape of the modulation, while the | braces would be responsible for 4 things:

      1) Holding the frame together.
      2) Providing structural support for the mass of diffuser panels which will be mounted on the frame.
      3) Providing anchor points to attach the frame to the wall.
      4) Providing anchor points to attach the diffuser panels to the frame.

      I would attach the frame to the wall, then attach the diffuser panels to the frame.

      This is not easy to describe in a comment :-) . Does it make sense to you?

      Some time in the future I plan to draft this up. In the meantime, I hope this helps.


  • https://soundcloud.com/jezbaileymusic Jez Bailey

    Hi Tim.

    I am intending to make my own diffusers for my room but I don’t know how I work out what sort of design I need. How do I work out which frequencies need diffusing?



    • http://Arqen.com/ Tim Perry

      Good question, Jez.

      How large is your room and how far away from the diffusers will you be sitting?

      If you are close to the diffusers you should not try to diffuse low frequencies because there is simply not enough space to properly diffuse them.

      Here is a formula to help you calculate the recommended low frequency cutoff for your diffusers:

      Suggested low cutoff (Hz) = 3 x 344 / (distance to diffusers in meters)

      For example, if you are sitting 2 meters from the diffusers:
      Suggested low cutoff = 3 x 344 / 2 = 516 Hz

      As for high frequency cutoff, generally the higher the better (within the audio band). For example, a good mid frequency diffuser would focus on the range 400 Hz to 5000 Hz, which is where human hearing is most sensitive. But in practice, the performance of most diffusers starts falling before 5000 Hz.

      You will most likely focus on the range 400 – 5000 Hz, but use the formula I gave above to determine your low frequency cutoff.

      If you’re sitting very close to the diffusers, it’s best to absorb low-mid frequencies and use diffusers that focus on high frequencies (for example, the RPG Flutterfree starts kicking in between 1-2 kHz, and provides high frequency diffusion all the way up to ~20 kHz).

      Finally, for the ultimate in broadband diffusion, fractal diffusers that diffuse over the full audio band are popular in high fidelity listening environments where some liveliness is desired (such as RFZ style control rooms). They let you control reflections throughout the audible spectrum without sucking precious high frequency energy out of your room.

      I hope this helps!


      • https://soundcloud.com/jezbaileymusic Jez Bailey

        Best reply EVER. Thanks man!

        I shall copy/paste to my notes so I don’t lose it! :)


        • http://Arqen.com/ Tim Perry

          Glad I could help, Jez.
          I wish you the best with your build!

  • Zane Keller

    Hi Tim,
    Real newbie question here …
    I enjoy hi-fi but have not done much by way of treating my lounge except to have curtains behind the speakers. How would the sound change if I did a complete wall behind the listening position with one of your diffusers?

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